Minggu, 15 Februari 2015

~ PDF Download Camille: A Play in Five Acts - Scholar's Choice Edition, by Alexandre Dumas

PDF Download Camille: A Play in Five Acts - Scholar's Choice Edition, by Alexandre Dumas

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Camille: A Play in Five Acts - Scholar's Choice Edition, by Alexandre Dumas

Camille: A Play in Five Acts - Scholar's Choice Edition, by Alexandre Dumas



Camille: A Play in Five Acts - Scholar's Choice Edition, by Alexandre Dumas

PDF Download Camille: A Play in Five Acts - Scholar's Choice Edition, by Alexandre Dumas

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Camille: A Play in Five Acts - Scholar's Choice Edition, by Alexandre Dumas


This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.

This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.

As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

  • Published on: 2015-02-19
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.69" h x .14" w x 7.44" l, .31 pounds
  • Binding: Paperback
  • 68 pages

About the Author
One of the most famous French writers of the nineteenth century, Alexandre Dumas (1802-1870) first achieved success in the literary world a playwright, before turning his hand to writing novels. In two years from 1844 to 1855, he published two enormous books, The Count of Monte Cristo and The Three Musketeers. Both novels have sold millions of copies worldwide.

Most helpful customer reviews

33 of 37 people found the following review helpful.
la dame aux camellias
By A. Sebastian Catala
Near the end, when she was coughing blood and had a fever, Marie Duplessis sat in her usual box at the Varietes for the last time, said a Paris columnist, like something beautiful, he reported later, something white and spectral. For the last time the imagined Marguerite Gautier had dragged her white face and camellias to the opera. After Alphonsine was buried in Montmartre, there took place the famous sale auction of her many possesions, furniture, hangings, dresses, objects d'art bibelots and bijoutterie. Literature is not a trusty reproduction of reality and like in most roman-a-clef the original yarn is more vivid and interesting than the fabricated version concocted by an author. This is no exception. Before Verdi's Violetta and Dumas young's Marguerite, there lived briefly and died a mislead soul of such unusual qualities, she was destined to cast a tall artistic shadow. "La dame aux camellias" are the novel (1848) and play (1852) by the son of Alexander Dumas, France's literary lion. The young Dumas, while growing, somewhat dissolute, was one of the many lovers of the fascinating courtesan who was Paris' arbiter of elegance, perennial in the gazettes, carrying camellias, always. An exquisitely enchanting maiden, who rented her love, thus making and spending millions. Duplessis was notorious for her extravagance, and, conveniently, the spell she cast on rich men. She was a fixture at theaters and gaming houses. A madly desired Marie Duplessis could never have imagined she would one day be the muse of Sarah Bernhardt Pola Negri, Eleonora Duse and Greta Garbo. 'La dame aux camellias" the novel and play both became success-de-scandale, both finding an instant and feverish acclaim. This old Romantic novel is based on the true story of Alphonsine Plessis, an abnormally pretty farmer, who abused by her brutal father, runs off to Paris and becomes a grisette. It's believed Plessis began selling his daughter at the age of twelve. There, in Paris, quite effortlessly, she becomes a ravishing courtesan, a swan, before dying of consumption at the age of 23. In the real biography Marie Duplessis (in her climb Alphonsine changed her name) is always juggling lovers (and debts) some, more fabulously wealthy than others. She also finds time for handsome and brilliant young men of fashion, despite their monetary limitation, and soon we learn she gives up Dumas for Frans Liszt (can you imagine the cinematic possibilities here?) Later, as the shadow of death grew near, Duplessis marries a faithful titled paramour, becoming a countess thus adding coronets to her plate. Now in the outs with Liszt (trust me, I can't go into everything but the life of the real heroine is very interesting)and while young Dumas (the original Armand Duval) travels with his father (in reality having perhaps forgotten Plessis, or Duplessis, Gautier or Valery, it's a bit confusing) the lady of the camellias dies alone of tuberculosis, in her dismantling, erstwhile courtly apartment. In this sad note ends the story of Alphonsine, also Verdi's opera, Garbo's movie and Dumas young's novel and play. The novel, a sometimes mistreated literary treasure that has seen print since the days of Louis Napoleon. Some dismiss it, some find it a bridge between the Romantics and the new realism of Flaubert. A curiously intimate young love account ending in a heart-crushing pathos. My regret is not seeing Duse or Eva LeGallienne in the role. See, I think this story would make a great modern movie. Unless you cry at dog-fights and are innately sentimental, don't pick up this book. If you like it, go on to read Abbe Provost's 'Manon Lescaut'. I could have never imagined I would one day get to grade 'La dame aux camellias', but here it is, you guessed it, I give it five stars.

23 of 25 people found the following review helpful.
19th Century Classic, Tragic Romance--very fast reading !!
By A Customer
This is the story of a beautiful, headstrong, and emotionally detached courtesan Marguerite Gautier who seems to live her life for the moment and her tragic love with Armand Duval. The main plot of the story is that their love can really never be allowed because of society's strict standards. Kind of in the themes of The Age of Innocence by Edith Wharton. This book was written by the famous Alexander Dumas's son, so the style of writing is very different. In the film version, Greta Garbo plays Marguerite in the movie, and plays her beautifully. This is one of the classics that everyone should really read, several classic novels and movies take their inspiration and ideas from Camille. The imagery is really pretty outstanding and several scenes stand out vividly in my memory even after several months. My favorite scenes are when Armand Duval and Marguerite meet for the first time in an operahouse,it's entertaining to see 19th Century social conventions-- and to peer into its darker underside. I think the novel is a little lacking in originality, but is made up by the beauty of the charactars and the depth of the love. It runs in the strain of Romeo and Juliette, very very quickly. The book can probably be read in a day or two without any effort. A classic.

18 of 22 people found the following review helpful.
Among The Better Selections In The Field Of 'Minor Classics'
By Dai-keag-ity
Camille is that rarest of all literary creations: a readable, enjoyable classic. This novel tells a good story about the sometimes tragic and scandalous and sometimes joyous life and fortunes of one Marguerite Gautier, a Parisian courtesan, and her lover Armand. The pace in this book doesn't drag, isn't too long, and rises well to the exact conclusion a reader anticipates. This is a frank, even sexually bold sort of novel for its period, and demonstrates again that the nineteenth-century French were willing to delve into subject areas their English counterparts were not. The avenues the romantic entanglements in Camille take combine with other elements to give this tale a more modern feel than most novels of two centuries ago. It's not great literature (in fact it's barely above a well-written romance novel) but it's definitely not bad reading material, either. Three and a half stars is what I'd plant on this work.

See all 56 customer reviews...

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